Article in the Port magazine

I’ve covered few stories that have affected me as much as documenting injured civilians in Mosul. The time I spent there, earlier this year, left me questioning the validity of my work and bereft of hope. For a month after returning home I hid from the world. When faced with such darkness and violence, what value can a photograph have? Does it become voyeuristic to capture and share those moments? Against such horror a camera seems impotent, its use almost perverse…CONTINUE READING